I am always bouncing in off-line mode (i.e., non-realtime), as I think is true for most users. Just about my only annoyance with Reference 3 is needing to remember to disable it in Logic Pro X whenever I bounce. Something just occurred to me that could make Reference 3 even better in my opinion: With Audio Hijack on, the audio leaves Logic, goes through SW3 correction, then a ProQ (just using the analyser as a visual reference) and then to the output device (Babyface here). Third pic shows how Audio Hijack hosts plug ins. Second pic shows phase setting for minimum latency (for e.g. First pic shows SW3 calibration results and correction with best phase setting so highest latency (for e.g. The VXT6 goes down to 49Hz (specs) so the sub barely has to register to add in some oomph down to 31Hz (again according to specs but also supported by SW3 measurement and test tone analysis, both visual and actually hearing it!). The blue "before" curves clearly demonstrate the KRK "smile" curve, which I understand is typical for most of their speakers. I have KRK VXT6 and KRK 10-s sub in a very small (1.7x2.8m) but acoustically designed and fully treated room (if it was up to me it would have been bigger said the actress to the bishop). I found that by setting the sub crossover at the (recommended) 80Hz and the sub volume at just a tickle (close to -30dB) I was able to get a much flatter starting point than before. I did some fiddling with my sub and repeatedly tested with SW3 and test tones.
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